“Voyagers” is a permanent audio video installation by The Light Surgeons for the National Maritime Museum’s new Sammy Ofer Wing. The Voyagers Gallery acts as an introduction to the extraordinary depth and range of the Museum’s collections and is dominated by a 20 metre wave-like structure that stretches the full length of the room. Designed by exhibition designers Real Studio, this 3D wave is made up of 26 triangular facets and features a Pufferfish spherical projector at one end.

Using the triangular shape as a design template The Light Surgeons researched and meta tagged over 300 images and films from the Museum’s vast archives and translated them into a series of thematic visual journeys that unfold down the wave. As these designs cascade down the room, the globe projection displays thematic key words relating to each asset in the journey onto a digital navigational device inspired by the museums collection of armillary spheres.

For this technically complex project The Light Surgeons collaborated with media artist James George from New York studio Flightphase to translate their concepts into code based design. The resulting bespoke software was built using open source coding platform openFrameworks and lead to many new ground breaking developments; allowing the design of the installation to be explored in a simulated environment before the gallery was built and then to seamlessly video map the complex geometry of the wave structure upon its arrival. This collaboration also lead to many exciting developments in the creative process including the creation of a totally generative sea of typography and its interaction with the movement of the spherical Puffersphere design.

The resulting experience is a truly immersive one that takes its audience on a audio visual journey through a multitude of different themes explored by the museums collections.

LDN24 is a media art installation by The Light Surgeons for the Museum of London‘s Sackler Hall. It presents an anthropomorphic portrait of London that reveals the abstract dance of this 24-hour city. It explores the capital as a physical organism and its hidden relationship with a larger, digital landscape, creating a cardiogram of the city that perpetually reflects the ‘now’.

The film was created by a group of visual artist through an extensive series of visual studies around London in 2009. The resulting 30 minute film charts a daily cycle of the city which is then translated onto the surrounding LED curatin as a stream of live data feeds. These information feeds are being continually updated via the web and continually re-printed by the hands of a giant RGB clock.

LDN24 is a commission by the Museum of London in collaboration with Film London.

Director: Christopher Allen
Producer: Alice Ceresole
Editor: Tim Cowie
Visual Production: Christopher Allen, Tim Cowie, Dean Moore, James Price, Rita Ribas, Stuart York
Data Visualisation: Field.io
Sound Design: Tim Cowie, Malcolm Litson
Locations: Alice Ceresole, Dan Fellows
Research: Peter Brenan, Laura Hannay
Production Assistant: Helen Omand

Support from:

BAA Heathrow, Broadgate Estates, Regis House (London Bridge), Bywaters, City Academy Hackney, City of London Corporation, Billingsgate Market, City of London Film Office, City of London Police, Smithfield Market, Clissold Leisure Centre, Cory Environmental Limited, Film London, Greater London Authority, Invista Real Estate, Investment Management, Land Securities, IPC Helipad, London Borough Film Units, London Underground Film Office, More London Estates Ltd, Network Rail, Newsfax International Ltd, Novotel London St Pancras, Panasonic UK, St Paul’s Cathedral, Tesco

Special thanks to:

Bob and Maggie Allen, Kevin Foakes, Helen Omand, Ed Purver, Olivier Ruellet, Laura Hannay, Victoria Tremble
The installation will be on display in the museum until 2012 and is free entry to the public.

Maybe some people are just born unlucky? This documentary film weaves together a diverse collection of different voices from London’s Jewish community to explore the concept of “luck” or “mazel”. From lucky charms and curses to global economics and quantum physics, this humorous and philosophical piece of visual poetry navigates the boundaries between religion and superstition to ask how the invisible hand of mazel has touched us all.

Commissed by The Jewish Film Festival & supported by the Pears Foundation
Co-producted with Pilgrim Films in 2009

Festivals:

UK Jewish Film Festival 2009
London Short Film Festival 2010
SXSW 2010
Hackney Film Festival 2010
Vimeo Awards 2010

A short documentary film inspired by the track “Sublime 01″ by composer Michael Nyman that combines his music with a philosophical monologue of Joe McGarry, the former the Director of development at homeless charity Arlington House. The film explores our collective sense of home through a visual poem that illustrates Joe’s journey of finding his home within. The audio interview was originally made by Rob Rainbow for the Domestic Archaeology exhibition at the Geffrye Museum.

A Pilgrim Films Production for Channel 4′s 3 Minute Wonders

Festivals:

SEE festival – Brighton Documentary Film Festival – Brighton, UK, 2009
Premiered at the BRITDOC Film Festival in July 2008
onedotzero adventures in motion – BFI, Southbank, London, 2008 – currently touring internationally in 2009
London Short Film Festival, Various Locations around London, UK, 2009
SXSW – South by Southwest, film & music festival, Austin, Texas, USA, 2009

Directed by Chris Allen and Rob Rainbow
Music by Michael Nyman
Producer Andrew Hinton
Edited by Chris Allen at The Light Surgeons
Colorist Michael Mchugh Assistant Producer Helen Omand Executive Producer Maxyne Franklin

With Thanks to:

Bywaters
Tim Cowie
Annie Kwan
The Rio Cinema
Arnie & Wendy Rainbow
Neil Thompson
Felix Wright

True Fictions is the result of a year long digital performance art project, produced and directed by Christopher Thomas Allen and commissioned by EMPAC, The Experimental Media and Performing Arts Centre in Troy, New York.

It is a live audio visual spectacle that fuses documentary film making, music, animation and motion graphics with cutting edge digital performance tools. A stunning collage of music and live cinema which explores the themes of truth and myth through a multitude of American and Native American voices; with a original musical score created through the collaborations of 25 New York based musicians and vocal artists.

The final performance was completed and presented in September 2007 at EMPAC and has gone on to tour other media & arts festivals internationally.

For more back ground information about how this project was devloped please visit: http://www.avfolklore.blogspot.com
For more video excerpts from the project please visit: http://vimeo.com/channels/truefictions

The following audio tracks and stills are taken from various international live performances:

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True Fictions is performed by:

Christopher Allen (audio & video)
Tim Cowie (audio & video) Malcom Litson (audio & analogue operations)
Jude Greenaway (audio)
Mark McRae (live guitars & keys)
Matt Waterfield (lighting & technical support)

Touring:

The Armour, EMPAC, Troy, New York, USA, September, 2007
The Great Hall, Urban Screens Festival, Manchester, UK, October, 2007
Teatro degli Arcimboldi, Milano, Italy, November, 2007
ZEMOS98 Festival, Seville, Spain, March, 2008
IMAX Cinema, onedotzero festival, BFI Southbank, London, November, 2008
Brighton Pavilion, Loop Festival, Brighton, July, 2009
Waterfront, TRANS Festival, Captalist Arts, Belfast, July, 2009
Rotuda3, HITEC, Mirowave Festival, Hong-Kong, November, 2009
The Others, Hackney Film Festival, London, September 2010
Freeform Festival, Warsaw, Poland, October, 2010

Project Produced & Directed by Christopher Thomas Allen

Cinematography: Christopher Thomas Allen & Robert Pyecroft-Rainbow
Photography:Christopher Thomas Allen, Robert Pyecroft-Rainbow & Helen Omand
Edited: Christopher Thomas Allen, James Price & Tim Cowie
Animation: Martin Banks, Tim Cowie & Blinkinlab
Audio Interviews: Christopher Thomas Allen, Robert Pyecroft-Rainbow & Jo Williamson
Assistant Producer: Annie Kwan
NYC Production Co-ordination: Sarah Pace
Research & location Production: Helen Omand
Studio Sound Recording & Initial Arrangements: Ben Allen
Music Production & Arrangements: Tim Cowie
Addition Audio Production: Malcom Litson, Mark McRae & Jude Greenaway

Special thanks to:

The Seneca-Iroquois National Museum, Salamanca
The Ronathahonni Cultural Center, Cornwall Island, Ontario
Nichols Meat Processing, Altamont, NY
David Lublin & Ray Cutler at VIDVOX
Kathleen Forde, Jason Steven Murphy and all the staff at EMPAC

An EMPAC Commission supported by The Jaffe Fund for Experimental Media and Performing Arts NY

New York Musical Contributors: